(2004/COW ISLAND) 12 tracks (32:19) Boston´s blend of Honky Tonk, Hillbilly and Western Swing. Produced by Sean Mencher. Longtime fans of Boston´s hillbilly scene get misty-eyed when the conversation turns to the golden age of the early ´50s. There was a day when the airwaves crackled with WCOP´s Hayloft Jamboree (three shows a day at one point!), country music was all you heard at dozens of nightspots in and around BostOn, and even the snootiest Hah-vand-educated Boston Brahmin could walk into II Walker´s Riding Apparel and walk out looking like Bob Wills. Indeed, it´s been reported that Boston alone accounted for 25% of all country record sales in the American east during that era. So it´s bats off to The Twilight Ranchers for doing their level best to turn back the clock to that golden age. I first encountered them on a Friday night at the Plough and Stars in Cambridge; a bunch of guys dressed to the nines in vintage western duds and playing instruments at least as old as the songs they were playing. What stood out was the music, though; a blend of classic honky-tonk, hillbilly, and a bit of western swing that had feet a-tappin´ and liquor a-pourin´. There was really no room to dance, but people did anyway. Having since hooked up with string wizard/producer Sean Mencher (High Noon, Wayne Hancock) and engineer Matt Robbins (King Memphis), The Twilight Ranchers now offer the rest of the world a bit of. what Boston´s been hearing for the last couple of years. So without any further ado, I give you WJ, Rob, Jon, Brad, and Matt - The Twilight Ranchers! -Jon Johnson, Country Standard Time magazine.
(2017/El Toro) 13 Tracks - Aisha’s earliest influences incorporated everything from Elvis and Sarah Vaughan to Billy Bragg and Northern Soul and once drawn into London’s incendiary rockabilly club scene, she felt the irresistible pull of black American Rhythm & Blues as a call to action, setting up her first band Tiger Lily and the Jitterbugs, with which she performed throughout the UK and Europe for several years. Subsequently, she was the first vocalist with the 10 piece big band, Blue Harlem performing Swing and Jump Jive. Throughout this time, she also sang Jazz and Blues in a variety of combos. She is currently working in England and Europe with ongoing Projects in Spain and London. Recent performances include events with the Aisha Khan R&B Revue, Blue Harlem, Cherry Casino & the Gamblers Big Jamboree and the Velvet Candles. She has just returned from the Screamin’ festival in Calella where she debuted the outstanding music from her new album release with her band, The Rajahs. Aishaddiction is packed full of stunning original material and featuring outstanding musicianship plus special guests!
Inspired by the Hank Williams and Leadbelly recordings he heard as a teenager growing up outside of Boston, Jim Rooney began a musical journey that intersected with some of the biggest names in American music, including Bob Dylan, James Taylor, Bill Monroe, Muddy Waters, and Alison Krauss. In It for the Long Run: A Musical Odyssey is Rooney´s kaleidoscopic firsthand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer. As witness to and participant in over half a century of music history, Rooney provides a sophisticated window into American vernacular music. Following his stint as a Hayloft Jamboree hillbilly singer in the mid-1950s, Rooney managed Cambridge´s Club 47, a catalyst of the ´60s folk music boom. He soon moved to the Newport Folk Festival as talent coordinator and director, where he had a front-row seat to Dylan ´´going electric´´. In the 1970s, Rooney´s odyssey continued in Nashville, where he began engineering and producing records. His work helped alternative country music gain a foothold in Music City and culminated in Grammy nominations for singer-songwriters John Prine, Iris Dement, and Nanci Griffith. Later in his career, he was a key link connecting Nashville to Ireland´s folk music scene. Whether he´s writing songs or writing his memoir, Jim Rooney is the consummate storyteller. In It for the Long Run: A Musical Odyssey is his singular chronicle from the heart of Americana. 1. Language: English. Narrator: Jim Rooney. Audio sample: http://samples.audible.de/bk/blak/008390/bk_blak_008390_sample.mp3. Digital audiobook in aax.